![]() ![]() This also applies to goods delivered to shipping companies. Alternatively, you can make the goods available for collection at a UK address. In order for us to conduct a Guarantee/Warranty claim to goods taken outside of the UK, the goods will have to be returned at your own expense. Guarantees/Warranties can only be fulfilled to goods purchased and delivered within the UK. We or our suppliers do not include any form of insurance terms such as accidental damage or loan equipment cover. ![]() Please note that any extended guarantees/warranties offered by Peter Tyson are free. Claims for work done by others won't be accepted unless previously agreed. In the event of a claim, please contact Peter Tyson in the first instance. This extended cover is exactly the same as the manufacturer’s original guarantee/warranty, where possible using the same official service providers, giving you total peace of mind for the extended period. In the event of a claim, Peter Tyson provides and administers the extra cover. This will be indicated on our website and will be confirmed with your sales confirmation receipt or sales invoice. From time to time we will add value to certain models by extending the standard period at no additional cost. If the T1 decks with in-built phono stages and Bluetooth are comparable sonically, we can predict this to be another successful line from what has become a reliable turntable company.The list below indicates the standard guarantee/warranty period supplied from each manufacturer. That’s part of why there’s plenty to love about the first deck we’ve reviewed from Pro-Ject’s new T-line. It might only be the difference of 15 minutes or so spent gauging weights, but that could understandably be pivotal for those looking for an easy entry into great vinyl sound. Pro-Ject would also argue the T1 is easier to set up than its Rega rival, and with that we couldn't disagree. ![]() The Planar 1 doesn’t quite possess Pro-Ject’s ability to wrap its arms around you and hug it’s a leaner performance, which musically we prefer, but might not sate those coveting a taste of home cooking. There is still enough feeling here for an entertaining performance, it just isn’t the subtlest performer available for this money. The Rega betters the T1 in terms of dynamics too, but then it has bettered most rivals over the past few years. Where the latter locks each part like a jigsaw, the Pro-Ject’s performance is more loosely connected. The T1 isn’t messy as such, but it doesn’t quite snap in the same way as its main rival, Rega’s Planar 1. Detail can be lost, and the presentation somewhat muddied.Ī keener eye for timing and organisation might help that. Sparser arrangements are also beneficial, however, because this isn’t the most spacious of soundstages and can sometimes be cluttered by a throng of instruments. The warmth offered here is pleasant and, while there appears to be some rounding off of the treble, we’re treated to a generally cohesive performance. On the face of it, this Pro-Ject might seem most at home rendering tracks with lots of low-end, but songs stationed in the middle of the register actually feel most natural.
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